I'm A Beginner, Where Do I Start?

“The secret of getting ahead is getting started. The secret of getting started is breaking your complex overwhelming tasks into small manageable tasks and starting on the first one.”

Mark Twain

As with everything you tackle in life, it’s the starting point that is the toughest. The internet is a great resource, but it is packed with opinions and conflicting information, to the point that it can actually become confusing, and you often get clouded and even put off.

Every tutor is different in their approach to helping you get started, but we thought this might be a helpful guide for those who are looking to make jewellery, from our perspective at least – be it a hobby, a career, or just as an occasional creative outlet.

Generally, when starting, you want to get a really clear understanding of the key skills of jewellery making…. soldering, piercing, how to form the metal, how different thicknesses of metal behave etc. This will really benefit you within every project your tackle. From there it is important to develop further with each project you choose while continuing to practice the core skills of jewellery making. It’s easy to stay in your comfort zone, but aim to push yourself a little further with each project you take on.

For the complete beginner we usually suggest our weekend Stacking Rings course. It’s 3 hours long so gives you a really good feel for jewellery making if you have never done it before without having to commit to a full day. You will cover a range of techniques – ring sizing, soldering, texturing the silver and polishing. From here, you can decide if jewellery making is for you.

You can continue on our other beginners classes developing new skills, spinner ring making, design and make a cocktail stirrer, bangle making, earrings and pendant making, stone setting, wax carving, etching, chain making, fold forming, sand casting, threading and knotting, and spoon making etc. These weekend classes are great for helping you develop your skill set.

You can also join a term time class (we currently have a waiting list, so you might have to wait for a space to become available). Term time classes are a great places to share project ideas, be inspired by others and to develop new skills over a period of weeks, months, years… however long you decide to stay with us. During term time classes, you work upon your own project ideas under the guidance and support of your tutor.

Our term students, tend to follow their own preferences and wishes as they learn, and we gently guide them to develop new skills along the way. Every student is unique and will have preferred projects and a preferred direction. Some students are really drawn to geometric designs and stone setting, while others like organic jewellery – casting, fold forming, and textures. We try to get to grips with each student as an individual and work with them to develop from there.

Generally ring making is a fantastic introduction for a new student to understand the key essential equipment of jewellery making so it doesn’t feel alien to them and then we lead then to other aspects of making such as chain making, which is a great lead on project to develop essential soldering skills as you can work with a variety of metal thicknesses to get an understanding of how the different metal thickness behave and how they react during soldering. From here we might suggest learning how to create a bezel stone setting if stone setting is of interest as it helps you gain an eye for detail and how important measuring and soldering heat control is. If you enjoy stone setting, a next step would then be to introduce you to tube setting and flush setting.

We find it useful to encourage piercing out metal alongside projects (aka cutting out your metal with a saw) as using the saw is very important, and it takes a bit of getting used to, many broken saw blades, and a few naughty words, but tackle it head on and suddenly you get to grips with it; as much practice as possible along the way is a massive benefit for developing good hand control and an eye for detail.

We then generally then try to introduce students to a range of new techniques to try including fold forming, water casting, granulation, golf leaf, oxidising, fusing, press forming, resin, firstly so you know what techniques exist out there, but secondly to help you find your style and techniques you enjoy. Some students are very drawn to some techniques and not others, and that is ok, it is what makes us unique, we therefore will not force projects on students for that reason, but may encourage you try new things, and will try ease you forwards.

We have a range of Pinterest boards to help inspire ideas including beginner project ideas.

“The Way To Get Started Is To Quit Talking And Begin Doing.”Walt Disney

"I have wanted to do this for years!"

This is probably one of the most common statements we hear in the workshop from beginners. If this is something you want to try but feel a little intimidated, don't be. Workshop 925 is encouraging and will support you through every stage. Don't keep putting it off, it is a rewarding hobby, fun day out, and fantastic career.

"Success consists of going from failure to failure without loss of enthusiasm." Winston Churchill

You will hit many failures as you learn. You will melt bezels, your piercing will go a little wobbly from time to time, you will break saw blades, crack a few stones when setting, loose countless more gemstones on the floor and have
to hunt on your hands and knees to find them; letter stamp a whole sentence only for one letter to be upside down, have a design snatched from your hands in the polishing motor and dent right as you thought you had finished. Whatever happens, keep that head held high and roll with the highs and lows. Don't. Give. Up.

“The expert in anything was once a beginner” Helen Hayes

It's easy to become intimidated by professional jewellers who exhibit at leading jewellery shows. However, they started in exactly the same place as everyone else - the beginning. It takes determination and self belief and a refusal to give up to reach this level of success in the industry. Accept you will make mistakes, welcome trial and error, adapt to survive, do not let your confidence be affected by rejection. Keep on your own path and stay focused.

“A smooth sea never made a skilled sailor” Franklin D.Roosevelt.

Without any doubt, you will hit challenges as you learn to make jewellery. Some techniques will throw you more obstacles than others, this does not make you a poor jeweller. Remain focused and determined and the challenges you have faced become effortless and actually develop your skillset as a whole. You will understand how to tackle problems and what to look for to avoid mistakes.

Krista Thomson runs some of our term time and weekend jewellery making classes and Stephen Barnett runs our intermediate stone setting classes. Here is there guide to starting out...

Krista Thomson’s Guide to Learning:

I tend to start my beginners off learning to make textured rings as you cover all of the following basics by doing so:

Measuring / Size calculations
Annealing / Using blow torch
Texturing – hammer / stamp / rolling
Sawing
Forming
Soldering
Pickling
Re-shaping / forming
Filing
Sanding
Polishing
I ask students to make basic earrings out of any off cuts, which is a satisfying extra and adds drilling/piercing to their skill base.
From there I guide students onto basic bezel setting as you’re using all or the majority of the above techniques plus adding bezel pushing and burnishing.

By going up in small increments adding a new skill each time, their confidence builds and the basics get practiced over and over again.

Stephen Barnett: Stone Setting Where to Start…

Coming specifically from a stone setting perspective, I feel that the most important thing is to get a grip on some of some of the basics of manufacture first, so practice soldering filing sawing etc. and only when you have a grasp of the
basics would I move on to setting.

There are many different types of stone setting from the very hard (Pave) to the relatively basic (rub over) but they all follow the same four basic rules..

1) Measure the stone.

2) Create a negative space to fit the stone.

3) Remove the metal stopping the stone fitting into the hole.

4) Replace the metal over the stone to hold it in place.

Once you have grasped these basic rules all stone setting is just variation on these basic themes.

So with this in mind here is my guidance for starting out in stone setting.

START BIG:

Stones used in jewellery are often very small and, although it is usually actually easier to set smaller stones for the practiced stone setter, it is very hard for the beginner to see what they are doing at such a small scale. With this in mind learn with larger stones to get the principal and then when you know what you are doing you can start to scale down.

START AT THE BEGINNING:

A lot of students want to do pave straight off but don’t try to run before you can walk. Learn rub over, claw set and flush set first, and then move onto the big boys, like pave, fishtail and thread and grain settings.

DON’T BELIEVE WHAT YOU SEE ON T.V:

There are lots of videos of people on you tube doing perfect settings with tools that cut the metal like butter and every stone clicking into place like clockwork. This is not always quite how it works out in real life though, so remember the microscopes and pneumatic gravers that make the setters work so much easier, are great but cost a lot of money.

Start off with hand held scorpers and a good quality visor first and buy the Ferrari once you can drive it. Trust me in the long run this will make you a much better setter.

And all the clicking stones? It’s just someone behind the scenes with a clapper board.

And the golden rule?

Practice

When I started learning to set I sat I my workshop with a Sainsbury’s bag full of settings and a Sainsbury’s bag full of stones and practiced every night for three months before I even told my boss I was ready to start learning. Twenty years later and I’m still practicing (and still saving up for one of those fancy microscopes).